United First Parish Church, Quincy (2)

The United First Parish Church on Hancock Street in Quincy, around 1865-1885. Image courtesy of the New York Public Library.

The church in 2019:

Quincy’s United First Parish Church was previously featured in one of the first blog posts on this site, which shows the building from the southwest corner. These two photos here show a similar view of the church, but from the northeast side, from directly in front of Quincy City Hall.

The church was completed in 1828, and it is constructed of locally-quarried Quincy granite, most of which was taken from quarries owned by the Adams family. It features a Greek Revival-style design that was common for New England churches of the era, including columns and a portico at the main entrance, and a multi-stage steeple above it. The design was the work of prominent Boston architect Alexander Parris, who is perhaps best remembered for Quincy Market, which had been completed two years before the church and shares some similar design elements.

At the time of its completion, the most notable parishioner of this church was President John Quincy Adams, whose family had help to finance its construction. His father, President John Adams, had also been a member of the same congregation, although he died in 1826, a year before construction began on this building. Both John and Abigail Adams were subsequently interred here in 1828, in a crypt beneath the church. Then, in 1852, John Quincy Adams and his wife Louisa were also interred in the crypt, giving the church the unusual distinction of being the final resting place of two United States presidents.

The church was formally dedicated on November 12, 1828, less than two weeks after John Quincy Adams lost his re-election bid to Andrew Jackson. Contemporary newspaper accounts observed that the crowd at the dedication ceremony was smaller than expected due to the “uncommon tempestuousness” of the weather, but the Boston Courier nonetheless noted that:

The house was well filled, and the exercises were such as might be expected from the gentlemen who took part in them. The choir were well versed in their pieces, and performed with gratifying precision.

A number of local clergymen participated in the ceremony, and Quincy’s own pastor, the Reverend Peter Whitney, gave the sermon on Genesis 28:17, “This is none other but the house of God, and this is the gate of heaven.” Among the hymns was one written by noted Boston poet and clergyman John Pierpont, who is probably best remembered today as the grandfather and namesake of Gilded Age financier John Pierpont Morgan. Reverend Pierpont’s hymn included many references to the late John Adams, particularly the final two stanzas, which read:

Here the water of salvation
Long hath gushed a liberal wave;
Here, a Father of our nation
Drank, and felt the strength, it gave.
Here he sleeps, his bed how lowly!
But his aim and trust were high;
And his memory, that is holy;
And his name, it cannot die.

While beneath this Temple’s portal
Rest the relics of the just,
While the light of hope immortal
Shines above his sacred dust,
While the well of life its waters
To the weary here shall give,
Father, may thy Sons and Daughters
Kneeling round it drink and live!

The first photo shows the church as it appeared sometime during the second half of the 19th century, probably around the late 1860s or 1870s. Since then, there have been some changes to this scene. The building in the distant right of the first photo was demolished at some point in the late 19th or early 20th centuries, and in 1924 the old Quincy Patriot Ledger building was constructed on the site. More recently, in the 2010s this section of Hancock Street in front of the church was closed to traffic, and it was reconstructed as a pedestrian-only plaza, as shown in the present-day scene.

Overall, though, remarkably little has changed with the church in the intervening 140 to 150 years, aside from an 1889 addition to the rear of the building, which is not visible in this view. It is still an active Unitarian Universalist congregation, and the building remains well-preserved on both the interior and exterior. It was designated as a National Historic Landmark in 1970, and since 1976 the church has been opened to the public for guided tours, including visits to the Adams family crypt.

First Baptist Church, North Adams, Mass

The First Baptist Church, at the corner of Church and Main Streets in North Adams, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

The First Baptist Church was established in 1808, with its parishioners meeting here on this site in a former Congregational church that had been built in 1782. The old building was moved just to the north of here in 1829 and a new one was constructed here. This one was, in turn, replaced by a new one in 1848, which was renovated in 1871 with a new front facade and tower. At the time, present-day North Adams was still a part of the town of Adams, but in 1878 it was incorporated as a separate town, and the church became the First Baptist Church of North Adams.

However, only a year later, on May 5, 1879, the church was destroyed by a fire. The cause of the blaze was never determined, but it started in the organ and burned for at least a half hour before being detected. By the time it was extinguished, most of the building was destroyed, and contemporary newspaper accounts estimated the cost of the damage to be at least $45,000.

Despite the loss, the church was quickly rebuilt here on the same site. The new church may have even incorporated the 1871 front facade and towers, although if so they would have been heavily modified; the earlier church building featured Gothic-style pointed arches, while the rebuilt one has rounded Romanesque arches. The building was dedicated on September 7, 1880, with a series of services that were held throughout the day. In the morning, the Rev. George W. Samson of Harlem preached a sermon on “Strength and beauty are in His sanctuary.” He was followed in the afternoon by the Rev. John B. Brackett of Brookline, who spoke on justification by faith, and the evening service was marked by a sermon from the Rev. A. J. Gordon of Boston, who preached from Psalm 84.

The first photo was taken sometime around the turn of the 20th century, showing the main facade of the church. Directly in front of the church is Monument Square, which features a Civil War statue that was sculpted by North Adams native Charles Niles Pike and dedicated in 1878. Just beyond the church, hardly visible on the far right side of the photo, is the original 1782 meeting house, which was converted into residential and commercial use after being moved in 1829.

Today, very little has changed in more than a century since the first photo was taken. There have been a few small changes to the exterior of the church, including the removal of the small tower on the far left side and the alteration or replacement of the spire atop the tall tower. Otherwise, though, it looks largely the same as it did when it was completed in 1880, and it remains an active Baptist church. The soldiers’ monument is also still standing here in Monument Square, and even the old meeting house behind the church has survived, although it has been heavily altered aver the years. Both of these building, along with a number of others here in downtown North Adams, are now part of the Monument Square–Eagle Street Historic District, which was added to the National Register of Historic Places in 1972.

State Street Baptist Church, Springfield, Mass

The State Street Baptist Church, at the corner of State and Dwight Streets in Springfield, around the 1870s or 1880s. Image courtesy of the New York Public Library.

The scene in 2019:

The State Street Baptist Church, also known as the Second Baptist Church, was established in 1864 as an offshoot of the First Baptist Church. A year later, the church began construction of a new building here on State Street, and it was completed in 1867. It featured an ornate High Victorian Gothic exterior, which was designed by Boston architect Sheperd S. Woodcock, and it was constructed at a cost of just over $41,000, including purchasing the property.

The building was formally dedicated on December 18, 1867, in a ceremony that included a number of local and regional Baptist clergymen. C. D. W. Bridgman, of the Emmanuel Baptist Church in Albany, preached the sermon, and other speakers included Rufus K. Bellamy of Chicopee, whose son Edward Bellamy later became a famous novelist. The church was filled to capacity for the occasion, and it was followed by a social gathering attended by members of the city’s two Baptist congregations, along with about a hundred guests from out of town. Then, the evening was marked by a second ceremony, which included a sermon preached by Justin D. Fulton of the Union Temple Church in Boston.

At the time, the pastor of the church was Albert K. Potter, an 1859 graduate of Brown University who spent five years at a church in South Berwick, Maine before coming to Springfield in 1865. He served here at the State Street Baptist Church for 18 years, before leaving for a church in Boston. The second pastor, who came here in 1884, was 25-year-old William Faunce. Like his predecessor, he was a Brown graduate, but he only remained at this church for five years, before becoming the pastor of the Fifth Avenue Baptist Church in New York. There, his most famous parishioner was John D. Rockefeller, who was already well on his way to becoming the richest man in the world. Faunce subsequently became president of Brown University, serving from 1899 to 1929. After his death in 1930, the school’s Rockefeller Hall was, at the request of the Rockefeller family, renamed Faunce House in his honor.

In the meantime, Springfield’s various Baptist churches underwent a series of mergers during the early 20th century. First Baptist, which had relocated to a new building on State Street around 1888, united with Highland Baptist around 1907, becoming the First Highland Baptist Church. The new congregation worshiped in the Highland Baptist building at the corner of State and Stebbins Streets, and in 1920 the State Street Baptist Church similarly merged, vacating their old building here on the lower part of State Street.

By this point, downtown Springfield had grown considerably since this building was completed more than 50 years earlier, and this area was now valuable commercial real estate. So, the old church building was ultimately demolished in 1927, and it was replaced the Arcade Theater, a 1,200-seat cinema that opened in 1931. This theater was located here until 1971, and it was demolished a year later in order to open a new road connecting Dwight Street to Maple Street, as shown in the present-day photo.

Second Congregational Church, Hartford, Vermont

The Second Congregational Church in the center of Hartford, around 1903-1910. Image from The Old and the New.

The church in 2018:

The present-day town of Hartford consists of five distinct villages, spread out across nearly 50 square miles of land. During the first half of the 19th century, this village here along the banks of the White River developed into the de facto town center. It was known as White River Village, and in in 1827 the Congregational Society of White River Village—later renamed the Second Congregational Society of Hartford, Vermont—was established here, with the intent of constructing a meeting house here.

This building, which is shown here in these two photos, was completed in late 1828, and it was formally dedicated on January 8, 1829. It was constructed by Jedediah Dana of Lebanon, New Hampshire, with a design that was typical for New England churches of the period, including a tower and belfry above the main entrance. On the interior, the church could seat 400 people, with pews on either side of two aisles, along with a gallery in the rear of the church.

As was often the cases in churches at the time, parishioners purchased their pews. Prices started at $52, a considerable sum for the 1820s, and the more desirable pews carried a premium. Individual families decorated and furnished their pews according to their tastes, and in the early years only pew owners could vote in church meetings, with the voting power determined by the number of pews that the person held. In all, 61 pews were sold when the church was completed, for a total of $3,788.50, which nearly covered the $4,297 that it cost to construct the building.

The church remained in use throughout the 19th century, but by the turn of the 20th century it was in need of a major renovation. This work, which was done in 1902-1903, included converting the gallery into a meeting room, replacing the heating and ventilation systems, installing new carpet and upholstery, and reducing the seating capacity to 300. Both the interior and exterior were also remodeled with Colonial Revival-style features, which were added by local architect Louis S. Newton.

The first photo was taken sometime soon after these renovations were completed. Since then, very little has changed here on the exterior. Aside from the lack of shutters in the present-day view, the church looks the same as it did more than a century ago, and it remains in use as an active church, now known as the Greater Hartford United Church of Christ. Along with the other buildings here in the village center, it is now part of the Hartford Village Historic District on the National Register of Historic Places.

St. Anthony’s Church, White River Junction, Vermont

St. Anthony’s Church on Church Street in White River Junction, around 1900. Image from The Gateway of Vermont: Hartford and its Villages (1903).

The church in 2018:

During its early history, Catholicism was not particularly common in Vermont, where the majority of its settlers had English ancestry. However, the arrival of railroads in the mid-19th century led to an influx of Irish railroad workers to places such as White River Junction, which had become an important rail hub. As a result, a Catholic parish was established here in 1869 as St. Anthony’s Church, and in 1898 the parish constructed this High Victorian Gothic-style church on Church Street, near the corner of Gates Street.

The church was built of brick and trimmed with granite, and it was constructed at a cost of $30,000. It  was dedicated on October 30, 1898 by Bishop John Stephen Michaud of Burlington, in a ceremony that was attended by about a thousand people. The pastor of the church, William N. Lonergan, also participated in the services, and the sermon was delivered by the Reverend D. J. O’Sullivan of St. Albans.

The first photo here was taken within a few years after the church was completed. More than a century later, the church is still standing, although it has seen a few exterior changes during this time. From this angle, the most notable change is the ground floor of the front facade. The central doorway is now flanked on either side by two smaller doors, and the steps in front of it have been enlarged. The doorways at the base of each tower have also been reconstructed, and the doors are now at ground level, without the steps or the pointed arches above the doors. Otherwise, though, the exterior remains well-preserved, and the church is still in use as an active Roman Catholic parish.

Christ Church, Philadelphia, Pennsylvania

Christ Church, seen from North Second Street in Philadelphia, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2019:

The city of Philadelphia was established in 1682 by William Penn, the founder of the Pennsylvania colony. Although Penn and his followers were Quakers, the colony was tolerant of other religions, and they were soon joined by settlers of other faiths, including Episcopalians, who established Christ Church in 1695. A small wooden church was built here on this site a year later, and it remained in use throughout the early 18th century.

However, in 1727, the parish began construction of a much larger church building. It took the next 17 years to build, and it was one of the grandest churches in the colonies at the time, in sharp contrast to the city’s plain, modest Quaker meeting houses. It featured Georgian-style architecture, with a design that was based on the London churches of famed architect Christopher Wren. The church itself was completed in 1744, although it took another ten years before the steeple was built. When finished, the steeple stood 196 feet in height, making it the tallest building in the American colonies at the time. It would continue to hold this record for more than 50 years, until the completion of Park Street Church in Boston in 1810.

During the 18th century, many of Philadelphia’s leading citizens were members of Christ Church. The most notable of these was Benjamin Franklin, who had even organized a lottery to help finance the completion of the steeple. Several other signers of the Declaration of Independence were also members, including Francis Hopkinson, Robert Morris, and Benjamin Rush. Even colonial governor John Penn—grandson of the Quaker William Penn—was a member. Given Philadelphia’s role as the seat of the Continental Congress, and later as the temporary national capital, a number of other founding fathers also attended services here, including George Washington and John Adams.

Throughout most of the American Revolution, the rector of Christ Church was the Reverend William White, who also served as chaplain of both the Continental Congress and later the United States Senate. After the war, Reverend White played an important role in the formal separation of the Episcopal Church from the Church of England. The first General Convention of the Episcopal Church was held here at Christ Church in 1785, and in 1787 White was ordained as the first bishop of the Diocese of Pennsylvania. He subsequently became the first presiding bishop of the Episcopal Church, serving in 1789 and from 1795 until his death in 1836. During this time, he continued to serve as rector of Christ Church, serving in that role for a total of 57 years.

By the time the first photo was taken at the turn of the 20th century, Christ Church was already more than 150 years old. Its interior had been remodeled several times by then, but the exterior remained largely unchanged in its 18th century appearance. Around this time, in 1908, the steeple was damaged in a fire caused by a lightning strike, but this was subsequently repaired.

Since then, there have been few changes to this scene, aside from the trees in the foreground, which partially hide the church in the present-day photo. The angle is a little different between the two photos, though, because the first one was evidently taken from the upper floors of a building across the street, allowing for a wider view than from street level on the narrow street. During this time, Christ Church has remained standing as both an active Episcopalian parish and as a major tourist attraction. It is one of the most important surviving works of Georgian architecture in the country, and in 1970 it was designated as a National Historic Landmark.